Showing posts with label 35mm Camera. Show all posts
Showing posts with label 35mm Camera. Show all posts

Tuesday, August 18, 2026

Five Below UP-Tech 35mm Camera


Sometimes an inexpensive, no-frills camera is all you need.

I was recently gifted an Up-Tech 35mm point-and-shoot camera sold by Five Below. The camera comes in a simple white box that looks a little like a very inexpensive imitation of an iPhone box. Inside you'll find the all-plastic camera and a very basic instruction pamphlet.

The price? $7.00.

And your $7 buys you about as simple a 35mm camera as you can imagine.

The Up-Tech is a reusable, fixed-focus 35mm film camera with essentially no exposure controls. There is no autofocus, light meter, adjustable shutter speed or aperture. There isn't even a flash.

Its basic specifications are:

  • Lens: 28mm plastic fixed-focus lens
  • Aperture: Fixed at f/8
  • Shutter speed: Approximately 1/100 second
  • Film: Standard 35mm
  • Film advance: Manual
  • Film rewind: Manual
  • Exposure counter: Yes
  • Flash: None
  • Hot shoe: None

Five Below lists the camera at approximately 3.8 × 2.6 × 1.3 inches, so it really is small enough to toss into a pocket, purse or backpack.

That's about it.

And in some ways, that's part of its appeal.

Load the camera with film, advance the film, point the camera at something and press the shutter button. There are no settings to think about and nothing to adjust.

Putting a Roll Through It

Just for fun, I loaded the camera with a test roll of Harman Kentmere 200 to see how it would perform.

Because the aperture and shutter speed are fixed, your choice of film speed and available light become the camera's exposure controls. ISO 100 or 200 film should be usable outdoors in reasonably good light, while faster film may provide a little more flexibility under overcast or darker conditions.

Obviously, none of this is terribly precise. With a camera this simple, you're relying heavily on the exposure latitude of the film.

As expected, the resulting photos were somewhat soft, particularly toward the edges of the frame. That's hardly surprising considering we're dealing with a simple plastic 28mm lens.

My particular camera also produced a noticeable vertical light leak near the center of several images. Whether this is typical of the camera or simply a defect in my copy, I don't know.

Another characteristic worth keeping in mind is the viewfinder. Reports from other users suggest that the viewfinder doesn't show the entire area captured by the wide 28mm lens, so you may end up with considerably more around the edges of the photograph than you expected.

Here are some of the images from my test roll:






cImage showing the occasional light leak 

Better Than I Expected

The photographs were actually not all that bad.

Remember, this is a $7 camera.

Nobody is going to confuse photographs from the Up-Tech with images made using a Leica, Nikon or even a decent 1990s autofocus point-and-shoot. Sharpness is limited, the lens is plastic, exposure is fixed, and quality control may be questionable.

But it does produce recognizable 35mm photographs.

And there's something entertaining about that.

Who Is It For?

Will I use this camera regularly?

Probably not.

But I can think of several situations where a camera like this could be fun.

It might make an interesting first film camera for a beginner or child because there is virtually nothing to learn beyond loading, advancing and rewinding the film.

It could also make a great outdoor party or wedding favor. Load several with inexpensive film, hand them out to guests and let everyone document the event from their own perspective. You might end up with some wonderfully unpredictable photographs.

It would also make a decent little "car camera." Load it with film, throw it in the glove compartment and have it available whenever you unexpectedly want to take a photograph.

Without a flash, however, its usefulness indoors is limited. Even with faster film, I'd consider this primarily a daylight camera.

There's another practical consideration: processing a roll of film can easily cost considerably more than the camera itself. That makes the economics of a $7 film camera somewhat amusing.

Final Thoughts

The Five Below Up-Tech isn't a good camera in the traditional sense.

It's an extremely simple plastic camera with a fixed 28mm lens, fixed aperture, fixed shutter speed and virtually no controls.

But perhaps that's the wrong way to judge it.

For $7, you get a reusable 35mm camera that fits in your pocket and actually takes photographs. It strips film photography down to its absolute basics:

Load. Advance. Point. Shoot.

Sometimes that's enough.

Not bad for $7.

Tuesday, May 26, 2026

Canon Pellix 35mm SLR Camera

I purchased a Canon Pellix from Used Photo Pro in Indianapolis in their "as-is" section for approximately $25. This is a unique SLR for the time because it has a semi-transparent mirror (fixed pellicle mirror) vs the traditional SLR mirror. The camera was introduced in 1965 and only produced through 1966 replaced by the Pellix QL (Quick Load) which was produced through 1970.

The camera was equipped with a TTL CdS light meter positioned behind the mirror. With a fixed translucent mirror there is no mirror movement which prevented viewfinder blackout when shooting (not a big issue honestly) and reduced vibration (good for slow shutter speeds / long exposures). No "mirror slap". However, the viewfinder is dimmer since the light through the lens is split. I personally didn't notice this as an issue in my shooting. 

Pellix without a lens showing the semi-transparent mirror


A few features:
  • Completely manual camera with a light meter.
  • Shutter speed from B + 1s to 1/1000.
  • Canon FL lens mount. This type of lens readily available, very bright and affordable in many focal lengths.
  • A dial on top of the camera that activates the viewfinder blind. This can be used for long exposures (The only camera I own that has this feature. I don't thing I'll ever use it, but it's still cool.).
  • Accessory cold shoe.
  • Match - needle light meter exposure display (you adjust speed or aperture until the needle rests inside the small circle).
  • Shutter button lock.
  • Easy to use mechanical self timer.
  • Cloth shutter curtain.
Some issues:
  • The ISO/Din numbers are VERY small and red. ISO is set on the shutter speed dial visible in 2 very small openings. The ISO numbers are VERY hard to read in my experience.
  • Max ISO when using the light meter only goes up to 800. Any faster film will need to be used without a meter.
  • No hot shoe.
  • Takes a 1.35V PX625 style battery which are available but NOT readily common. HOWEVER, the Canon Pellix operates without a battery. You just won't be able to use the light meter.
Top of camera, viewfinder curtain dial below the film rewind knob

Viewfinder in normal / open setting


Viewfinder closed

I've should a few rolls of Eastman Vision3 250D in both 200 & 250 ISO through my Pellix. Here are examples:










Overall, I think this is a well build, sturdy basic Canon FL mount SLR with basic features. I'm glad I have it in my collection HOWEVER, there are other FL mount Canon's that I prefer. 





Tuesday, August 5, 2025

Olympus OM2000 Spot Metering 35mm SLR Camera


I purchased an Olympus OM2000 Spot Metering SLR body from Used Photo Pro in Indianapolis sold in an “as-is” condition. I haven’t used this camera model previously, so I was interested in giving it a try. This copy looked very clean. The camera didn’t have a battery to check the light meter but as in the past even “as-is” condition cameras are typically in reasonable / good working condition. Even if the light meter didn’t work the camera will still operate without a battery. The price was approximately $25. 

The OM2000, built by Cosina, is an all-manual camera (excluding the light meter) that has spot meter option for the light meter. Focus, aperture and speed settings are all manual. 
I mounted a Tamron 28mm f/2.5 lens. The Tamron does not have an Olympus OM mount so I used an Adaptall 2 adapter from my inventory. 

The features of the OM2000 Spot Metering are:
  • Lens: Olympus OM bayonet mount,
  • Shutter type: Vertical-travel metal focal-plane shutter,
  • Shutter speeds: 1 to 1/2000 second + bulb,
  • Flash sync speed: 1/125 second,
  • Exposure modes:
    • Manual exposure only
    • Center-weighted metering with “match-LED” display in viewfinder
  • Metering system:
    • TTL center-weighted metering
    • Ability to switch to spot metering
    • Manual exposure match-LED indicator
  • ISO range from 25 to 3200 (no DX code reading),
  • Battery: 2 x LE44,
  • Hot shoe (no built-in flash),
  • Manual film advance lever,
  • Small switch on the film advance lever that can be used for double exposures.
The OM2000 was clearly an entry-level manual SLR camera. Lots of plastic and small in your hand. 

I wanted to see how the camera would perform with street photography.

I ran 2 rolls through the camera recently and here is what I thought about it:
  • A very loud shutter slap. Not stealthy at all
  • The light meter consists of a + o – LED indicator on the left side of the viewfinder. It’s activated when you half push the shutter release. You adjust speed / aperture (or both) so the green o illuminates. I found it hard to get it settings adjusted accurately for the proper exposure. On most shots I was getting + o or o – (slightly over or under exposed).  In most situations I ended up simply using “sunny 16”. Not sure if this is the sensitivity of the light meter or the meter on this camera was beyond it’s used by date. Either way, I prefer a camera with a light meter vs not having one. On the OM2000 you are in full control of the settings.
  • Another “feature” is a small “stop” attached to the film advance lever that sits under the shutter release button when the lever is fully closed. This prevents the shutter from accidentally firing while in a camera bag or if you bump the shutter release. To take a photo you advance the film advance lever slightly to a stop. You can now release the shutter. There were several times when I forgot to do this and when I tried to release the shutter I couldn’t. Just a learning curve issue, but potentially frustrating if you were timing a shot. 
  • The wide shutter speed range gives you complete flexibility of using almost all film ISOs in most light conditions.

Bottomline, not my first choice for street photography, but it’s a solid general-purpose, basic manual camera. 

Some photos: 


























Wednesday, November 6, 2024

Canon Sure Shot M


I recently used my Canon Sure Shot M (also called the Autoboy F in Japan and Canon Prima Mini in Europe). It's a very pocketable, simple point & shoot 35mm camera. The Canon Sure Shot M is an attractive, smooth edged camera with minimal features. This makes it perfect for snapshots, street photography or as a basic everyday camera.

Here is an overview of the basic features:
  • 32mm f/3.5 lens
  • Built in flash with on / off button
  • Recessed on/off button
  • Slow sync exposure compensation button (EV3 f/3.5 at 2 sec to EV7 at f/3.5 at 1/10 sec) 
  • Auto focus
  • Full auto with speeds 1/60 to 1/250 second (no manual or aperture priority mode)
  • Auto aperture from f/3.5 to f/22
  • DX coded with ISO from 25 to 3200
  • Contemporary CR123A battery
  • Self timer
  • Date mode feature on back
The only downside in my experience is that there is no lens cover as with many similar cameras. 



I shot a roll of Fujifilm 400 through the Sure Shot M in downtown Indianapolis on a sunny afternoon. Here are some photos:












Bottomline, in my opinion the Canon Sure Shot M is an excellent point and shoot 35mm camera for everyday use.