Sunday, December 9, 2018

Olympus Stylus - The Perfect Point & Shoot Film Camera

All photographers whether film or digital have an opinion on their favorite camera in various categories. This is often a highly subjective topic based upon personal preferences and shooting style. For me, the Olympus Infinity Stylus I is my favorite film point & shoot camera.

I've owned several copies and versions of the Olympus Stylus including the Olympus Infinity MJU, the Infinity Stylus in both the version shown above and the "gold" version....oh fancy. Except for my original Canon TX SLR, I've owned a Stylus longer than any other film camera.

There is a massive amount of posts and technical data available online about the camera so I won't bore you by repeating what others have said. For me I like the camera because it's pocketable, easy to shoot (there are almost no setting options except auto point & shoot), DX coding, fast focus, a good flash, and stealthy. Perfect for travel, street photography or simply for film snapshots. I bought my first one over 26 years ago when I lived in Hong Kong (that one died this summer).

I carry it with me whenever I do film work either as my main film camera or as a 2nd or 3rd camera option.

If you are into film photography and have never had an Olympus Infinity Stylus or MJU, do yourself a favor.

Here is a roll of Ultrafine Xtreme 100 that I shot through it during a photowalk in downtown Indianapolis with a friend.

Wednesday, December 5, 2018

Minolta 3000i in Los Angeles

I travel to Los Angeles regularly to do agency & fashion photography on the digital / studio side of my photography life.  When I'm there I try to take time to shoot film as well! I was there this summer and took a simple film SLR, a Minolta 3000i with a 50mm f/1.7mm lens. I did both street photography and general snapshots when not in the studio. 

This time I took a number of film stocks. I took Cinestill 50D, Cinestill 800T, Ilford Delta 100, Ilford HP5 & Fujicolor Superia X-Tra 400. Call me eclectic.  All films were shot in auto program mode which happens to be the only mode this camera has. All film was developed at home using either Ilfosol3 or Unicolor C-41 color kit. 

A few images:

Cinestill 50D (shot during super bright day)

Cinestill 800T (shot at night)

Ilford Delta 100 (very bright day)

Ilford HP5 400 (shot on very bright days)

Fujicolor Superia XTRA 400

Sunday, December 2, 2018

Dubblefilm 35mm Pre-Exposed Funness

Film photography is fun. Digital photography is fun. Taking photos is fun. Film photography is becoming more fun with the recently introduction of several creative “pre-exposed” film stocks. These are color film stocks partially or fully pre-exposed with different colors or designs. My guess is they use some form of template over the film and then shock it with different colored lights, lasers, etc. But, hey, I’m just guessing.

There are several small companies with films available. KONO! & revolog are two. We now have another with Dubblefilm. I like to call these “party” or “artistic” style films. Very lomo. They introduce bright colors splashes or partial areas with various colors. KONO! & revolog also have pre-exposed effects like dots, lightning strikes, UFOs, scratches, etc. Like I said, just for fun.

I’ve shot several of these films previously but just purchased 2 rolls of Dubblefilm. I shot a roll of Dubblefilm Jelly & Dubblefilm Sunstroke. They also have stocks named Bubblegum, Monsoon & Moonstruck. The cool thing for me is my local photography store, Roberts Camera / USED Photo Pro has started to distribute the film. YES!

Each has a unique effect. All of the Dubblefilm films are Kodak alaris Kodacolor Gold 200 stock rerolled back into the Kodak canister. It’s not like that’s a big mystery, you can see the Kodak name through the label. All are DX coded 200 ASA with 24 exposures.  Because this is color negative film you can get it developed almost anyplace using C-41 chemistry. Or, you can develop it at home like I do.

I shot the 2 rolls with an Olympus Stylus point & shoot. I decided to use this camera because it’s trusty, light tight and I know the results when using color. I knew any effects would therefore come from the film not old camera light leaks.

The first 2 rolls came out groovy. Shot & developed easily. I got the desired effects in both shadows and bright light. Every photo had a slightly different effect with was cool. The effects were very pronounced. I enjoyed shooting the Dubblefilm and have already purchased a roll of Moonstruck to try next.

This is not everyday film (one reason is because it’s a bit pricey), but a film to play with now and again. I’m a fan. Here are some photos

Dubblefilm Jelly

Dubblefilm Sunstroke